

In other words this song is raw as fuck! "House Of Flying Daggers" was mentioned early on as a posse cut with the Clan. That begs the question - had it actually been better had the original vision been kept in tact, had RZA not given away tracks for "8 Diagrams", etc.? I personally think the version that I am about to present y'all with, based only on songs confirmed to have been recorded by 2006 or at the very latest 2007, answers that question in the affirmative but you'll be the judge for yourself!Īnother J Dilla production, structured around a one bar loop that I believe is sampled from RZA's "Ghost Dog" score and mixed down in a real lo-fi manner with the drums and bass line booming and blasting at you. With that being said I did miss a central sound and the always sharp on-record chemistry between Raekwon and RZA.
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This didn't stop me from banging the shit out of it for months after it dropped though as almost everything on it is pure crack and an unbelivable step up from Raekwon's previous outing, 2003:s "The Lex Diamond Story". So without a main producer and years of building the album, leaving Raekwon with tons of material to consider, the 24 tracks deep LP that was finally released comes off as a heavy, but disjointed almost mixtape like album. I personally believe that is the main reason for Rae's public resentment against that LP, which is totally understandable. However, a big reason for this is that many of the cuts recorded for "OB4CL2" was snatched up, in some cases remixed, and put out as Wu-Tang Clan tracks on "8 Diagrams". To then make a sequel barely carrying RZA's sound is just wrong, like making a sequel to "Carlito's Way" and having Jay Hernandez and Puff Daddy play the leads. Now, to me RZA was every bit as integral to the original "Cuban Linx" sound as Raekwon was - and so was Ghostface. However, by the time Raekwon was able to release it this had changed drastically as only two RZA tracks remained on the album (" Fat Lady Sings" was in fact produced by True Master). In its initial stages, the concept of the album was to have RZA be the main producer steering the ship while additional tracks would be supplied by J Dilla, Scram Jones, Erick Sermon and a couple of others. To clarify, I think that "OB4CL2" indeed is a very good album that stands on its own, but that being said it is not, unlike its predecessor, without flaws. This is the basis for my own writing today, to use all the information available to recreate a possible interpretation of what "OB4CL2" might have been like had it been released when it was originally intended to.
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Both articles were published already back in 2006, giving credence to the fact that a full album was basically completed and ultimately remade before it reached the public. The piece in SCRATCH is based on a listening session and breakdown of several key songs together with RZA, while the HHC interview only slightly touches upon "OB4CL2" but in doing so reveals important pieces to the puzzle. Two of my favorites, and also those who I base much of my own conclusions on, is two interviews with RZA from SCRATCH and Hip Hop Connection, respectively. The early articles was also some of the best in increasing the hopes of listeners getting a sequel that could live up to its name. I was following the developement of the LP rather fiendishly at the time, snapping up any media reports and digging through every article and interview that I came across. Within that time a whole lot of changes occured that would transform the original idea behind the project into something else, while the countless recording sessions allowed Raekwon to release a huge amount of mixtapes that made sure the hype didn't die down.

Though the initial recording sessions went down as early as 2005 the project faced label and distribution problems that caused it to be delayed until mid-2009. An opinion that is not all that unpopular amongst hip-hop heads and music critics, so when the Chef announced plans to produce a true sequel to hsi masterpiece in collaboration with most of the supporting cast of the original music fans everywhere were ecstastic at the prospect. On a personal level I have always held Raekwon's marvelous '95 debut "Only Built 4 Cuban Linx." to be the single greatest album ever created.
